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Bogen: Formatt Glass Filters | More Bogen Imaging 

Formatt 138mm Round Glass Filters

Formatt Glass Filters
 

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Formatt HD Filters

With a dedication to the high definition market, Formatt Filters has developed five new filters specifically geared to those shooting in HD -- HD Clear Soft Effects filters, HD Neutral Density filters, Clear UV HD filters and Circular Polarizer Filters. Both amateur and professional videographers, alike, can benefit from Formatt's revolutionary filter technology and use it to their advantage to take their filming and creative HD freedom to new levels.

Formatt's new generation of glass filters offers unparalleled standards in design and performance. The finest materials together with state of the art production techniques have resulted in a standard of optical perfection unmatched anywhere else. All Formatt filters are manufactured using Schott B270 Super White® optical lens glass that is precision polished and ground to ensure absolute optical flatness and optimum performance. Each filter is guaranteed flatness to a maximum 2 to 3 wave value and comes with an individual reading from a laser interferometer. Every filter is carefully verified with a densitometer and spectrophotometer to ensure consistent and accurate transmission before leaving the factory, resulting in an absolute purity of image that eliminates any unwanted colorcast caused by conventional greenish soda-lime glass.

HD Circular Polarizer and HD Clear UV

Before
No Filter
After
Polarizer

Formatt 138mm Round HD Circular Polarizer Filter

The Formatt HD Circular Polarizer is made with the Formatt A.C.T. methodology with a polarizing polymer sandwiched between two layers of Schott B270 Super White Crown Optical Glass. The same processes used on larger Formatt square filters is also applied to Formatt round filters as well. Formatt uses the only the highest grade UV and Polarizing Polymers available, and inserting the polymer between two layers of glass allows the user to clean the filter as often as required and without damaging the protective layer. This is especially important with the popular 1/3 inch chip for HD as well as when shooting wide-angles or in large light areas, where every speck of dirt or smear will be extremely visible.

By incorporating a truly advanced polarizing material with their optically pure water white glass, the Formatt Circular Polarizer delivers a reassurance you can depend on for your most demanding scenes.

Formatt 138mm Round HD Clear UV Filter

The Formatt Clear UV HD filter is a cleverly designed, optically clear filter which absorbs potentially damaging high energy UV light below 410 nanometers. It is also made with the standard Formatt A.C.T. methodology with a UV absorbent polymer sandwiched between two layers of Schott B270 Super White Crown Optical Glass. The Clear UV HD filter is intended to be used as an optical flat protection filter and is designed to protect the lens from physical damage while maintaining optical neutrality. This allows the user to choose color effects from other filters without having to endure the traditional coloration found in 1A and 2B UV filters. The high levels of transmission of this filter make it ideal for use in low light situations.

Protect your valuable lens investment with the Formatt 138mm HD Clear UV Filter.

The economical Formatt 138mm Clear Standard Optical Flat UV Filter is also available.




Formatt Neutral Density Filters

Formatt Neutral Density Filters Neutral Density filters are by definition colorless and uniformly reduce light of all wavelengths with no effect on the color rendition. Used in numerous applications Formatt Neutral Density filters help extend the exposure parameters and can be used in both color and black and white photography.

Standard densities: 0.3, 0.6, 0.9, 1.2

Formatt HD Neutral Density Filters have been specially formulated as a result of extensive research into new applications for molecular A.C.T. dyes. The filters give more of a neutral grey without the specular effects from the particulate coatings of the current neutral density and neutral density graduated filters, which allows the user more precise control. While Formatt HD Neutral Density filters are a new range, they have the same densities and light stops as the Kodak Wratten Standards.

Formatt's new Neutral Density Filters are a response to the many DPs and cinematographers who find that it is important to shoot as wide open as possible to minimize depth of field, especially with HD. In response to the professional demand for an optically correct and pristine neutral density filter for HD, Formatt designed its HD Neutral Density Filters, which are the ultimate solution to enhance color contrast and are ideal for normal light reduction.




Formatt Skin Tone Enhancer Filters

Formatt Skin Tone Enhancer Filters

Ideal for portrait or scenic, Formatt Skin Tone Enhancer Filters, also kown as Warm Tone Enhancer Filters, are designed to improve pale skin tones by adding warmth. They are also perfect for shooting outdoors, foliage, earthtones, woodwork etc on a cloudy day or in shade on a sunny day. A warmer alternative to UV filters, Formatt Skin Tone Enhancer Filters absorb the blue cast caused by some light sources, such as overcast skies or shadows on sunny days. They are ideal for using in combination with another filter.

Formatt 138mm Round Skin Tone Enhancer Filters #1, #2 and #3 are available from Video Direct, with Skin Tone Enhancer #3 producing the greatest warming effect and Skin Tone Enhancer #1 producing the least warming effect.




Formatt UV Absorbing Filters

Formatt UV Haze 2b Filter
UV Haze 2b
Formatt UV Sky 1A Filter
UV Sky 1A

To help deal with diverse conditions of ultra-violet haze, fog and mist, remember that although you see only white light, both black and white and color films are sensitive to UV light. You must remove the UV light otherwise this can produce unacceptable color casts. You can achieve this by using one of Formatt's ultra effective UV absorbing filters. Although there are many types of UV filters available, depending on the level of filtration required, the UV Haze 2b and the UV Sky 1A are the most popular and offer extremely effective UV absorption.

SKY1A - Slightly pinkish in color, reduces blue casts in open shade and minimizes the amount of ultraviolet light reaching the film.

UV2B - Stronger formula, particularly successful absorbing ultraviolet radiation under clear sky conditions, reduces blue casts.




No Filter
No Filter
Formatt Supermist Filters
Top Left: Supermist Black 1
Top Right: Supermist Clear 1
Bottom Left: Warm Supermist Clear ½
Bottom Right: Warm Supermist Black ½

Formatt Supermist Filters

Supermist and Black Supermist

Designed for the demands of the motion picture and broadcast industry, the Supermist filter is the ultimate softening tool for creating a mood outdoors or indoors. Unlike conventional diffusing filters there is little loss of detail. Formatt Supermist Filters provide 8 levels of softening, with available densities from 1/8 (least softening effect) to 5 (greatest softening effect). Depending on the strength chosen they subtly or dramatically enhance a scene without reducing resolution.

In broad scenic or portrait, the Supermist is excellent for toning down excessive sharpness and reducing contrast by moderately lightening shadow areas without detracting from the overall image. Clear Supermist amplifies highlights but slightly reduce contrasts. Black Supermist reduces highlights without affecting contrasts. Warm Supermist combines the classic Supermist with Formatt's unique warm tone enhancer, adding natural warmth. This is useful in outdoor open shade situations where there is excessive blue in the image and total control over lighting may not be possible.

Supermist Filter Range:

Supermist Clear 1/8
Supermist Clear 1/4
Supermist Clear 1/2
Supermist Clear 1
Supermist Clear 2
Supermist Clear 3
Supermist Clear 4
Supermist Clear 5
  Supermist Black 1/8
Supermist Black 1/4
Supermist Black 1/2
Supermist Black 1
Supermist Black 2
Supermist Black 3
Supermist Black 4
Supermist Black 5
Warm Supermist Clear 1/8
Warm Supermist Clear 1/4
Warm Supermist Clear 1/2
Warm Supermist Clear 1
Warm Supermist Clear 2
Warm Supermist Clear 3
Warm Supermist Clear 4
Warm Supermist Clear 5
Warm Supermist Black 1/8
Warm Supermist Black 1/4
Warm Supermist Black 1/2
Warm Supermist Black 1
Warm Supermist Black 2
Warm Supermist Black 3
Warm Supermist Black 4
Warm Supermist Black 5


Formatt Low Contrast Filters
Left: No Filter
Right: Formatt Low Contrast 1

Formatt Low Contrast Filters

Formatt Low contrast filters reduce contrast by allowing more shadow detail to be visible. Bringing back detail into deepest blacks and creating muted pastel colours, they are ideal for those who shoot video and desire a filmlike look.

Formatt 138mm Round Low Contrast Filters are available from Video Direct in 5 densities: 1/8, 1/4, 1/2, 1 and 2, with Low Contrast #2 producing the greatest contrast reduction and Low Contrast #1/8 producing the least reduction in contrast.




Formatt Coral Filters
Top, L-R: Coral 1/8, 1/2 and 1
Bottom, L-R: Coral 3 and 5

Formatt Color Effect Filters

For exceptional cinematography, Formatt graduated and solid color effect filters are designed to deliver. With the demands of filmmakers ever increasing, the need for filters to match the precision of modern lenses is now a prerequisite. In this intense creative climate you need color filters that are natural, exciting and useful. With a stunning collection of over 25 carefully selected colors Formatt filters provide you with the ability to control, create or enhance reality and help express true imagination and ultimate image perfection.

Formatt Coral Filters

Coral Filters can be considered as both Color Correction and Color Effects Filters. Formatt Coral Filters are used to warm cool lighting situations such as overcast days. They can create a sunset or dawn effect at any time of the day. Formatt coral solid color effect filters are available in densities 1/8, 1/4, 1/2, 1, 2, 3, 4 and 5, and so are ideal for maintaining a consistent color balance throughout a whole day of shooting.
Formatt Twilight Grads
Twilight Grads 1, 2 and 3
Formatt Sunset Grads
Sunset Grads 1, 2 and 3
Formatt Skyfire Grads
Skyfire Grads 1, 2 and 3
Formatt Tropic Blue Grads
Tropic Blue Grads 1, 2 and 3
Formatt Tobacco Grads
Tobacco Grads 1, 2 and 3
Formatt Green Grads
Green Grads 1, 2 and 3
Formatt Grape Grads
Grape Grads 1, 2 and 3
Formatt Pink Grads
Pink Grads 1, 2 and 3
Formatt Cyan Grads
Cyan Grads 1, 2 and 3
Formatt Gold Grads
Gold Grads 1, 2 and 3
Formatt Magenta Grads
Magenta Grads 1, 2 and 3
Formatt Cranberry Grads
Cranberry Grads 1, 2 and 3
Formatt Blue Grads
Blue Grads 1, 2 and 3
Formatt Chocolate Grads
Chocolate Grads 1, 2 and 3
Formatt Antique Suede Grads
Antique Suede Grads 1, 2 and 3
Formatt Plum Grads
Plum Grads 1, 2 and 3
Formatt Red Grads
Red Grads 1, 2 and 3
Formatt Sepia Grads
Sepia Grads 1, 2 and 3
Formatt Yellow Grads
Yellow Grads 1, 2 and 3
Formatt Tangerine Grads
Tangerine Grads 1, 2 and 3
Formatt Tuscan Pink Grads
Tuscan Pink Grads 1, 2 and 3
Formatt Whiskey Grads
Whiskey Grads 1, 2 and 3

Formatt Graduated Color Effect Filters

Color graduated filters are among the most popular filters. There are three blends of Formatt graduated filters available. Soft edge filters are generally used with standard and wide-angle lenses when a smooth transition of color to clear is required.

Stop Factors

Twilight #1 Grad:     1½ stops
Twilight #2 Grad: 2½ stops
Twilight #3 Grad: 3½ stops
Sunset #1 Grad: 1 stop
Sunset #2 Grad: 1½ stops
Sunset #3 Grad: 2 stops
Skyfire #1 Grad: 1½ stops
Skyfire #2 Grad: 2½ stops
Skyfire #3 Grad: 3½ stops
Tropic Blue #1 Grad: 1½ stops
Tropic Blue #2 Grad: 2 stops
Tropic Blue #3 Grad: 2½ stops
Tobacco #1 Grad: 2/3 stop
Tobacco #2 Grad: 1½ stops
Tobacco #3 Grad: 2-1/3 stops
Green #1 Grad: 1/3 stop
Green #2 Grad: 2/3 stop
Green #3 Grad: 1 stop
Grape #1 Grad: 1 stop
Grape #2 Grad: 1½ stops
Grape #3 Grad: 2 stops
Pink #1 Grad: ½ stop
Pink #2 Grad: 2/3 stop
Pink #3 Grad: 1 stop
Cyan #1 Grad: ½ stop
Cyan #2 Grad: 1 stop
Cyan #3 Grad: 1½ stops
Gold #1 Grad: ½ stop
Gold #2 Grad: 1 stop
Gold #3 Grad: 1½ stops
Magenta #1 Grad: 2/3 stop
Magenta #2 Grad: 1½ stops
Magenta #3 Grad: 2 stops
Cranberry #1 Grad: 1 stop
Cranberry #2 Grad: 2 stops
Cranberry #3 Grad: 2 stops
Blue #1 Grad: 2/3 stop
Blue #2 Grad: 1-1/3 stops
Blue #3 Grad: 2 stops
Chocolate #1 Grad: 1 stop
Chocolate #2 Grad: 2 stops
Chocolate #3 Grad: 3 stops
Antique Suede #1 Grad: 2/3 stop
Antique Suede #2 Grad: 1-1/3 stops
Antique Suede #3 Grad: 2 stops
Plum #1 Grad: 1 stop
Plum #2 Grad: 2 stops
Plum #3 Grad: 3 stops
Red #1 Grad: 1½ stops
Red #2 Grad: 2 stops
Red #3 Grad: 2½ stops
Sepia #1 Grad: 2/3 stop
Sepia #2 Grad: 1-1/3 stops
Sepia #3 Grad: 2 stops
Yellow #1 Grad: 1/3 stop
Yellow #2 Grad: 2/3 stop
Yellow #3 Grad: 1 stop
Tangerine #1 Grad: ½ stop
Tangerine #2 Grad: 1 stop
Tangerine #3 Grad: 1½ stops
Tuscan Pink #1 Grad: ½ stop
Tuscan Pink #2 Grad: 1 stop
Tuscan Pink #3 Grad: 1½ stops
Whiskey #1 Grad: 1/3 stop
Whiskey #2 Grad: 2/3 stop
Whiskey #3 Grad: 1 stop



 
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